Cher’s producers used the device to “exaggerate the artificiality of abrupt pitch correction”, contrary to its original purpose. Originally, Auto-Tune was designed to discreetly correct imprecise intonations, in order to make music more expressive, with the original patent asserting that “When voices or instruments are out of tune, the emotional qualities of the performance are lost.”Īccording to Chris Lee of the Los Angeles Times, Cher’s 1998 song “Believe” is “widely credited with injecting Auto-Tune’s mechanical modulations into pop consciousness”. Hildebrand had come up with the idea for a vocal pitch correction technology on the suggestion of a colleague’s wife, who had joked that she could benefit from a device to help her sing in tune. It was a trick - a mathematical trick.” Over several months in early 1996, he implemented the algorithm on a custom Macintosh computer, and presented the result at the NAMM Show later that year, where “it was instantly a massive hit.” Music industry engineers had previously considered the use of autocorrelation impractical because of the extremely large computational effort required, but Hildebrand found a “simplification changed a million multiply adds into just four. His method for detecting pitch involved the use of autocorrelation and proved to be superior to earlier attempts based on feature extraction that had problems processing certain aspects of the human voice such as diphthongs, leading to sound artifacts. research engineer specialized in stochastic estimation theory and digital signal processing.

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